High Quality Content by WIKIPEDIA articles Trinitrotoluene is the chemical explosive usually known as TNT.Trinitrotoluene or more specifically, 2,4,6trinitrotoluene, is a chemical compound with the formula C6H2(NO2)3CH3. This yellowcoloured solid is sometimes used as a reagent in chemical synthesis, but it is best known as a useful explosive material with convenient handling properties. The explosive yield of TNT is considered to be the standard measure of strength of bombs and other explosives. In chemistry, TNT is used to generate charge transfer salts. Author: Surhone, Lambert M./ Timpledon, Miriam T./ Marseken, Susan F. Binding Type: Paperback Number of Pages: 84 Publication Date: 2010/06/22 Language: English Dimensions: 5.98 x 9.01 x 0.20 inches
The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh "No Tubes" design from Hutch and is inspired by old British console preamps with a tasty combination of "No Tubes" design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of "just plug a mic in and it sounds great." The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The "No Tubes" channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you'll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don't always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio's "Preamps in Paradise" forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The "T" (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The "NT" (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp 'sounds' on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing va
The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh "No Tubes" design from Hutch and is inspired by old British console preamps with a tasty combination of "No Tubes" design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of "just plug a mic in and it sounds great." The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The "No Tubes" channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you'll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don't always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio's "Preamps in Paradise" forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The "T" (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The "NT" (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp 'sounds' on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing variable impedance the right way requir
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